Tag Archives: 3

2018 Recap

2018: It was a bad year for Planet Earth, but a pretty good year for new music. Once again a lot of favorites were active this year, including some long-awaited and truly unexpected comebacks. As usual I didn’t get around to everything I wanted to, and I haven’t really been listening to a lot of *new* music, as in artists who have debuted sometime this decade. I guess that’s the price you pay for being somewhat of an obsessive; over time these lists get larger and larger, in part because I’m always gonna be interested in new material by some band I used to dig or am still on the fence about. But 2018 did seem to be unusually busy, especially in its first half. I’ve heard enough for a cursory glance back, as well as a holding spot for the stuff to be listened to later. Which I’ve come to realize is a lot.  This time I’m just gonna do it in alphabetical order, with links to the albums I’ve actually reviewed on here, plus some scattered thoughts.  Italicized albums were among my favorites.
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The ELP Permutations, Part 3.2: The Rules Have Changed (2018)

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Now for what this three-week trip down this strange tangent is really about. If you didn’t read the last entry about 3 (the one-off supergroup featuring Keith Emerson, Robert Berry, and Carl Palmer), here’s the gist of it: To the Power of 3 pretty much bites, but Live Boston ’88, released in 2015, kicks ass. Upon receiving a promo copy, Emerson phoned up Berry to say so himself, leading Berry to ask if he’d like to record another album together. He agrees, funding is secured, and soon the two start working parts out over the phone and saving them in ProTools. If you’re reading this, then you know what happens next. The album is shelved.
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The ELP Permutations, Part 3

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In 1988, Carl Palmer was free from his duties in Asia and ELP proper were set to reform. However this time Greg Lake came down with a massive case of “just not feelin’ it, you guys”, perhaps feeling burned by the Cozy Powell experience. This of course is a common occurrence in that camp. Something tells me that if ELP’s debut album hadn’t sold so well that Keith Emerson and Greg Lake would have never had anything further to do with each other; such conflicting personalities those dudes had. Hell, it nearly happened anyway when Tarkus was recorded. But money fixes everything, doesn’t it? Not even saying that to knock the guys…you’d be a fool to walk away from that.
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